Elvis 1968 NBCTVSpecial Nothingville 1500 crop

from graceland to burbank to graceland

BEST CLASSIC BANDS just pub­lished “Elvis Presley’s ’68 Come­back: Bur­bank to Grace­land” (although it should have been “Grace­land to Bur­bank”). It ad­dressed the tele­vi­sion spe­cial, the records as­so­ci­ated with it, and what fol­lowed. The ar­ticle de­clared, “By the final days of the decade, Elvis was ar­guably as fa­mous as he had been in the ’50s.” [Read more] “from graceland to burbank to graceland”

MarkJames MoodyBlue sheet music 1100 copy 2 2

is elvis presley’s “suspicious minds” about gaslighting?

IF AN OLD FRIEND I KNOW stops by to say hello, should my wife be sus­pi­cious? That de­pends on my per­sonal history—was I al­ways a good boy?—and whether that old friend is an ex-coworker or an ex-lover. This was brought upon by a ques­tion on Quora: “Is ‘Sus­pi­cious Mind’ con­sid­ered a gaslighting-themed song?” [Read more] “is elvis presley’s “suspicious minds” about gaslighting?”

MacDavis SongPainter photo 1500 crop

pressed between the pages of mac davis’ mind

SONG­WRITERS AS­SO­CI­ATED WITH ELVIS that re­ceive the most credit in terms of Pres­ley’s suc­cessful ca­reer are usu­ally two teams: Jerry Leiber-Mike Stoller and Doc Pomus-Mort Shuman. But a third team was para­mount in Elvis’s tran­si­tion from sappy movie mat­inée idol of the mid-1960s to po­tent music and cul­tural figure in 1968-1969: Billy Strange-Mac Davis. [Read more] “pressed between the pages of mac davis’ mind”

Elvis LasVegas 1969 black outfit 1500 crop

suspicious minds (just how good can one record be?)

DO I WANT TO OPEN THIS AR­TICLE by making a state­ment (“Elvis pops up in the most un­ex­pected places”) or by asking a ques­tion (“Just how good can one record be?”)? Last night we slipped the Coen Brothers’ In­tol­er­able Cru­elty into the DVD player and sat back to enjoy George Clooney as Miles Massey (hand­some, charming, amoral) match wits with Catherine Zeta-Jones as Mar­ilyn Rexroth (beau­tiful, in­scrutable, equally amoral). [Read more] “suspicious minds (just how good can one record be?)”

Elvis Memphis press conference 1969 6 1500 copy

an alternative “back in memphis” album

ELVIS PRES­LEY’S FU­TURE hung on the de­ci­sion he made in early 1969 on where to record. He could re­turn to RCA’s studio in Nashville, home to most of his big hits of the early ’60s. But there he risked falling back into the pat­terns that led to the dis­ap­pointing hits of the past few years. [Read more] “an alternative “back in memphis” album”

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