a blog about elvis presley's music and the records it can be found on
GOOD LUCK CHARM was Elvis’ eighth single of the new decade, and was a worldwide smash. At this time (1961–1962), RCA Victor was issuing Presley’s new singles in the US as both standard 45s and as 33⅓ rpm records. [Continue reading]
CAN’T HELP FALLING IN LOVE was Elvis’ seventh single of the new decade, and was a worldwide smash—or at least one side of this record was a hit somewhere. At this time (1961–1962), RCA Victor was issuing Presley’s new singles in the US as both standard 45s and as 33⅓ rpm records. [Continue reading]
LITTLE SISTER was Elvis’ sixth single of the new decade, and was a worldwide smash—or at least one of the two sides of this record was hit somewhere. At this time (1961–1962), RCA Victor was issuing Presley’s new singles in the US as both standard 45s and as 33⅓ rpm records. [Continue reading]
I FEEL SO BAD was Elvis’ fifth single of the new decade, and was a worldwide smash—or at least it or the flip-side was a smash somewhere. At this time (1961–62), RCA Victor was issuing Presley’s new singles in the US as both standard 45 rpm records and also as 33⅓ rpm records. [Continue reading]
SURRENDER was Elvis’ fourth single of the new decade, and was a worldwide smash. At this time (1961–1962), RCA Victor was issuing Presley’s new singles in the US as both standard 45s and as 33⅓ rpm records. [Continue reading]
SURRENDER was Elvis’ fourth single of the new decade and was a worldwide smash. At this time (1961–1962), RCA Victor was issuing Presley’s new singles in the US as both standard 45s and as 33⅓ rpm records. [Continue reading]
THE FIRST RECORDS to reach a large audience and keep that audience for several generations were 10-inch records that played at approximately 78 revolutions per minute. The original format featured only one song on one side, hence it was known as a single. [Continue reading]
HARD UP FOR NEW RELEASES while their cash-cow was in the Army, in 1959-1960, RCA Victor issued three volumes of EP albums titled A TOUCH OF GOLD. I had always liked that title and had subsequently used it as the title for my second Elvis Presley price guide. [Continue reading]
SOMEWHERE IN THE PAST, someone gave me the nickname of the “Price Guide Guru,” because my first books for O’Sullivan Woodside were the most accurate price guides the record collecting field had seen. I have long forgotten who assigned it to me, but I have used it on and off ever since, both in pieces that I contributed to Goldmine magazine and in the commentary sections of my books. [Continue reading]